Alexander (Erland Josephson, Cryes and Whispers), the news of the outbreak of World War II reaches their remote Baltic island – and a happy mood turns to horror. Tarkovsky’s arrested palette of glittering gray that was drunk over the dark landscape around their house. (Master cinema of the film is Sven Nyklist, a longtime associate of Ingmar Bergman). Alexander, a philosopher who has plagued man’s lack of spirituality, forces the appearance of a certain extinction to the ultimate sacrifice, and he enters the Faustan offer with God to save those of fear that attaches them. The last film of the director, made while dying of cancer, is the victim of Tarkovsky’s personal statement, a deeply touching, redemptive tragedy stifled into unforgettable images and heart emotions.
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